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This 3,000-square-foot condo in Las Vegas was full of over-the-top casino-inspired ornamentation, right down to a black-and-red bathroom. While these art-collecting homeowners loved saturated color, it was quite the opposite of what they had in mind. They had worked with interior designer Daniella Villamil on their previous home and hired her to reimagine their new one as an inspiring, modern space. “This home was to be a retreat where they could relax, watch TV, work from home, hang out with their dog and look out at the great views of the Las Vegas Strip.”

Villamil knew her clients’ taste and their art collection well. The couple split their time between Las Vegas and Chicago, and the previous Las Vegas home she designed for them had been more than twice the size of this condo and was full of furniture customized to fit its large scale. She knew they’d be almost completely starting over with furniture but bringing favorite art pieces with them. “They love folk art, they love to support emerging artists and they are not the least bit afraid of color,” Villamil says.



This article was originally published by a www.houzz.com . Read the Original article here. .



Clites Architects, PCSave Photo
Photos by Stylish Productions

Cabin at a Glance
Who lives here: A couple
Location: Middleburg, Virginia
Size: 500 square feet (46 square meters)
Architect: Tim Clites of Clites Architects
Contractor: Richard Williams of Deerchase

The cabin sits in a clearing atop a hill, with views of the Bull Run Mountains. “[It’s] an easy walk from the main house, but it’s just far enough to feel like they are getting away,” Clites says.

The couple hired Clites, who had designed the main house, and contractor Richard Williams to make the cabin work for the activities they envisioned. New elements include openings for windows and doors, a chimney, a small addition (seen on the right with wood board-and-batten siding and a pigmented stain) and a back porch.

The late-18th- or early-19th-century cabin originally sat about 70 miles from where it is now. “[It] basically arrived as a bundle of logs,” Clites says. Williams had a bit of a giant Lincoln Logs puzzle on his hands. He and his team laid out the sills and joists on the ground first to see what they had and to get a measurement for the foundation.

Maintaining an authentic historical feel was the goal, but keeping the cabin frozen in time was not. Williams is passionate about old buildings. He paid meticulous attention to detail and sourced reclaimed materials. He also relied on a deep list of contacts, including expert craftspeople, to help give the log cabin authenticity.

One such craftsperson who worked on the project was Lewis Whitesell, an expert mason. He designed and constructed this chimney from fieldstones in a style that would have been used when the cabin was built. Even the firebox is fieldstone rather than firebrick. The half-barrel-shaped cap is a more modern detail that protects the chimney.

Find a local architect on Houzz



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When the homeowners of this split-level Victorian home first contacted interior designer Amy Hunt, they were struggling to know how to make their new place feel like home. They needed improved storage and comfortable furnishings and decor that would create a welcoming and relaxing atmosphere. “There were no wardrobes, no cupboards and just lots of hooks, so it really did need rethinking,” Hunt says. Aside from addressing the couple’s practical needs, Hunt, who uses Houzz Pro business software, introduced dark color and texture, both to warm up the home and to make the narrow spaces look bigger.

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Dan Nelson, Designs Northwest ArchitectsSave Photo
Though the cabin was gone, it inspired the homeowners and Nelson to keep its modern style alive. The structure’s placement on the site also influenced the plan. There was an existing well and septic system, and upgrading the septic system was included in the project. The architects oriented the house to take advantage of the southwesterly views of the Saratoga Passage and Whidbey Island.

“The site is quite wooded and has a secluded feel,” Nelson says. “The approach to the house is through the trees and it feels totally private.” The site is atop a 60-foot cliff overlooking the water.

Facing the entry side of the house, the primary suite is on the left; a great room that contains the family room, dining room and kitchen is in the center; and two other bedrooms are on the right side. Next to those bedrooms, a mudroom-laundry room connects the house to the garage. The garage roof is covered in solar panels.



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Dan Nelson, Designs Northwest ArchitectsSave Photo
Though the cabin was gone, it inspired the homeowners and Nelson to keep its modern style alive. The structure’s placement on the site also influenced the plan. There was an existing well and septic system, and upgrading the septic system was included in the project. The architects oriented the house to take advantage of the southwesterly views of the Saratoga Passage and Whidbey Island.

“The site is quite wooded and has a secluded feel,” Nelson says. “The approach to the house is through the trees and it feels totally private.” The site is atop a 60-foot cliff overlooking the water.

Facing the entry side of the house, the primary suite is on the left; a great room that contains the family room, dining room and kitchen is in the center; and two other bedrooms are on the right side. Next to those bedrooms, a mudroom-laundry room connects the house to the garage. The garage roof is covered in solar panels.



This article was originally published by a
www.houzz.com . Read the Original article here. .



This 1907 home on a spacious lot in New Jersey had many beautiful details, including walnut millwork and original molding. But those details had aged past the point of rescue. So the homeowners reached out to designer Anastasia Harrison of AHD&Co to help update the home while honoring its roots. Harrison, who uses Houzz Pro business software, started by taking a piece of original stained walnut to a millworker and creating a match for new rich walnut cabinets in the kitchen. A new curved island has reeded detailing that complements reeded lighting and glass cabinet doors.

Elsewhere, fresh elements like a salmon pink paint for that original molding in the dining room, brick-look porcelain tile in a herringbone pattern for the mudroom and a light-filled en suite bathroom in a former sunroom ensure this home will remain timeless for years to come.

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This article was originally published by a www.houzz.com . Read the Original article here. .



This 1907 home on a spacious lot in New Jersey had many beautiful details, including walnut millwork and original molding. But those details had aged past the point of rescue. So the homeowners reached out to designer Anastasia Harrison of AHD&Co to help update the home while honoring its roots. Harrison, who uses Houzz Pro business software, started by taking a piece of original stained walnut to a millworker and creating a match for new rich walnut cabinets in the kitchen. A new curved island has reeded detailing that complements reeded lighting and glass cabinet doors.

Elsewhere, fresh elements like a salmon pink paint for that original molding in the dining room, brick-look porcelain tile in a herringbone pattern for the mudroom and a light-filled en suite bathroom in a former sunroom ensure this home will remain timeless for years to come.

Read more and save photos



This article was originally published by a www.houzz.com . Read the Original article here. .



“I think a lot of interior design seems inaccessible to people, as they associate it with extensive, expensive renovations and bespoke luxury items,” interior designer Becky Wetzler says. “We can do that. But we also love to show clients how we can put their personal stamp on their homes with elements like wallpaper, paint and furnishings and without having to remodel.” That was the case for this Bethesda, Maryland, family of six and the spec house it had recently moved into.

The house had lovely millwork, including coffered ceilings, wainscoting, crown moldings and tall baseboards. The kitchen and bathrooms were up to date and in good shape — remodeling them would have been a waste of money and materials. But the blank slate of a home lacked personality and style that reflected the family’s Southern roots and love of coastal settings. Wetzler and her team listened carefully to the homeowners’ wants and needs. Accordingly, they created a house made for quality family time with coastal-inspired style and hints of Southern preppy flair.



This article was originally published by a www.houzz.com . Read the Original article here. .



Regarding DesignSave Photo
Through a door next to the fridge, the mudroom flows into a generously sized great room that faces the lake. Like the home’s exterior, the interior has classic cabin elements but with an air of refinement. Caruso picked up where Lands End’s interior designer left off, giving input on interior architecture choices, selecting the furnishings and styling the finished home.

“In our neck of the woods, there are a lot of rustic looks,” Caruso says. “There are a lot of log cabins, there’s a ton of plaid and antlers and all of that, which is lovely. But it was not what we wanted for this. And so any elements that give a little bit of a sense of rustic is really meant more to add vintage vibes [and] patina.”

For example, a reclaimed-wood ceiling spans the main floor, but the paneled walls are painted crisp white. And the palette, which is mostly shades of blue, green and brown, is pared-back and cohesive throughout the home.

Wall paint: Swiss Coffee, Benjamin Moore



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b Architecture StudioSave Photo
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.

For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.

Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.



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