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A blue glass pendant light that previously hung in the breakfast area inspired the new look and balances all the clean lines with its vintage silhouette. Artwork and backsplash tiles in shades of blue and green complement the pendant and play nicely with cherry cabinets. The cabinets are a flat-panel style with horizontal pulls, conveying a midcentury vibe.
This photo was taken from where the fridge is in the next photo.
Backsplash tile: Natural Hues collection in Rain, Ireland and Starlight, Daltile; cabinets: Seaside in natural cherry, Tedd Wood
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2. 1920s Spanish Colonial Charm
Kitchen at a Glance
Who lives here: A woman and her dog
Location: Kensington, California
Size: 252 square feet (23 square meters)
Designer: Anne Norton of AND Interior Design Studio
Before: This 1920s Spanish Colonial home in Kensington, California, has a long history, including being the residence of J. Robert Oppenheimer during his time at the University of California, Berkeley. But the home’s funky kitchen with post-and-beam architecture, flat, low, wood-covered ceiling with dark stain, dark floor, dark-stained Douglas fir cabinetry and numerous windows and skylights didn’t share that history; it was added on to the back of the home in the 1970s.
While the layout was good, the kitchen lacked storage. The homeowner, who loves to cook, found designer Anne Norton on Houzz to help her create a kitchen that would flow with the rest of the home’s historic architecture, and would include upgraded cabinetry and a kitchen table where friends and family, especially her grandchildren, could gather around.
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Other design moves to open up and brighten the space included nixing some upper cabinets, using glossy white backsplash tiles that reflect light and having a lot more white wall space plus a white island counter. The remaining cabinets, the tall pantry cabinets to the left of the fridge and the niche shelving at the alcove ends provide all the storage needed.
Backsplash tile: Cloe in white, 5 by 5 inches, Bedrosians Tile and Stone
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Four cabinet hardware styles jazz up the look further: acrylic-and-brass pulls on the drawers, brass knobs on the perimeter doors, custom horn pulls on some of the island drawers and matte black knobs on the glass-front doors.
Other minimally invasive moves that made a major impact: extending the backsplash tile to the ceiling, adding a marble shelf (made from a remnant), placing sconces on the stove wall and swapping a dark runner for a light-colored patterned one.
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Designer: Giana Shorthouse of Studio Giana
Location: Atlanta
Homeowners’ request. “The original kitchen was small, cramped and lacked storage and space to gather with friends and family,” designer Giana Shorthouse says. “It was remodeled to an expansive and multifunctional kitchen that includes a range of more function, spanning from the island and range wall to the custom-designed pantry, wall-to-wall china storage, a separate bar and a reworked butler’s pantry. We also built it out to include an adjacent covered outdoor space that carries the space from inside to outside.”
Shorthouse uses Houzz Pro business software to manage projects. “I use it for proposals, invoicing, purchase orders, and time and expenses,” she says.
Dark and moody features. Dark warm-green island base (Andiron, Sherwin-Williams). Black-framed stools. Black pendant lights. “We went dark to give the space a richer and more dynamic feeling,” Shorthouse says. “The homeowners had lived in the home for over a decade with old, nonfunctioning windows and years of white paint, so when it came to colors we decided to go dark to give the space dimension and a richness it was missing before. Coming from prior years of loft living, the homeowners’ personal style reflects a more modern and industrial perspective, so when it came to finishes, we chose black to honor their personal style. Mixing dark green, black and aged brass details allowed us to blend their more modern outlook in a home that was fit for a more traditional style. I designed the island base with more classic detailing and color in mind but paired it with a more modern waterfall countertop to add contrast to the style.”
Other special features. Warm greige perimeter cabinets (Skipping Stone, Benjamin Moore). Pacific White marble countertops and backsplash.
Designer tip. “Balance through contrast,” Shorthouse says. “When you look at the material selections, you’ll notice that there is an inherent balance between materials because I chose to place darker materials next to lighter materials to create a lot of contrast.”
“Uh-oh” moment. “We had a construction mishap with the installation of the flooring,” Shorthouse says. “We chose to go with a limestone floor, and due to the settling in the home between the original foundation and the new foundation underneath the new addition, we started seeing cracks in the floor shortly after install, which had to be repaired and wasn’t ideal for such a beautiful flooring selection.”
Stools: Asher, Jamie Young; faucet: Lombardia, Rohl; wall, ceiling and trim paint: Alabaster, Sherwin-Williams
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Designer: Tonia Coleman of Le Belle Maison Interiors
Location: Frisco, Texas
Size: 546 square feet (51 square meters); 21 by 26 feet
Homeowners’ request. “My clients wanted an oversize kitchen where they could entertain large gatherings, but they wanted the space to feel defined between the kitchen and dining areas in an open concept,” designer Tonia Coleman says. “The homeowner envisioned a warm and inviting kitchen that marries the elegance of French Country style with a modern twist, perfect for hosting large gatherings.”
Warm and welcoming elements. Custom stained quartersawn oak island. Wood range hood detail. European white oak floors. Warm white cabinets. Creamy white zellige backsplash tile. Creamy white quartzite countertops. Brass details. “They wanted a space that feels timeless yet fresh, where traditional elements like the soft neutral tones, natural island with a mix of painted cabinets and the reclaimed-wood-wrapped hood coexist with the sleek, functional design,” Coleman says. “The open and airy spaces allow guests to flow effortlessly, with an oversize 12-foot island as the heart of the kitchen, designed to accommodate a crowd and serve as the perfect spot for entertaining.”
Other special features. Five-foot workstation sink with two faucets and integrated accessories such as cutting boards, colanders, drying racks and serving trays.
Designer tip. “For a unique, rustic touch, we used a reclaimed-wood skin wrap for the kitchen hood instead of a traditional beam cut to size,” Coleman says. “This design trick brought an organic, textured element into the space, echoing the charm of reclaimed-wood beams but with a lighter, more refined silhouette. The wrap adds depth and warmth, blending seamlessly into the modern
Country French style while highlighting the natural beauty of aged wood.”
“Uh-oh” moment. “We had an ‘uh-oh’ moment after the island was installed when the client realized she wanted a bit more room between the kitchen island and the range wall for added comfort and flow,” Coleman says. “Thankfully we were able to adjust and move the island, creating the extra space she envisioned. It was a reminder that even the best-laid plans sometimes need a little tweaking, and we were glad to make it work to ensure the kitchen was just right for her needs.”
Coleman used Houzz “to explore and refine our client’s design style,” she says. “Together we browsed through numerous inspirational pictures, discussing what elements resonated most with her and envisioning how they could come to life in her kitchen. This visual approach allowed us to align specific details, helping her articulate her vision and making the design journey both enjoyable and clear.”
Custom cabinetry plan: KBH Texas, Andrew Risinger, Kitchen, Bath and Home; cabinetmaker: Custom Wood Products; builder: Kirlin Custom Homes; reclaimed wood: Olde Wood; project photos: Stacy Markow Photography; wall and ceiling paint: White Dove, Benjamin Moore
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Dupes also preserved and replicated some of the original millwork and added more personality with details such as an ogee edge on the island’s marble-look quartz countertop. The kitchen gained some space as well, after a full bathroom behind the wall on the left became a powder room.
Perimeter cabinetry and pantry paint: Pure White, Sherwin-Williams; island base paint: Mt. Rainier Gray, Benjamin Moore; tile: Eveningstar mosaic (accent), Seaport in Arctic White (field) and Thassos marble pencil liner in white (trim), TileBar
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Designer: Caylen Harrison of Janet Brooks Design
Location: Scottsdale, Arizona
Homeowners’ request. “When we designed the home, the client was in love with the idea of using authentic adobe as the primary building material, from a practical energy-efficiency approach as well as for the design aesthetic,” designer Caylen Harrison says. “This decision drove the rest of the design process. We designed a kitchen that felt warm, soft and textural to play off of the natural character of the adobe walls, from the cabinet finishes to the backsplash tile and hood design.”
Wood cabinets. “The kitchen is stained alder cabinets with a glaze,” Harrison says. “The client loved the soft, natural finish of the brown stain — we wanted to keep it a midrange color, not too dark and not too light due to the lower ceiling and the color of the stained concrete floors also being a little darker. We also didn’t want to introduce too many finishes in this space. It was important to us and the client that the kitchen wasn’t visually overwhelming and that it felt functional and understated. To complement the brown cabinets, we went with a lighter natural quartzite countertop material and a textural backsplash tile, also in a lighter colorway.”
Other special features. “To add some additional visual interest, we made a point to focus on subtle detailing, such as the metal banding and angled supports on the island overhang and the zinc straps on the drywalled kitchen hood,” Harrison says. “Both of these accent pieces were custom-fabricated locally.”
Designer tip. “To visually help the flow of the continuous spaces, we decided to proceed with a 48-by-48-inch diamond scoring pattern in the concrete floors,” Harrison says. “This helps make the spaces feel bigger, and the diagonal lines guide you from space to space — instead of a square scoring layout, which would have made the spaces feel more static and confined.”
Backsplash tile: Grove Brickworks in Muslin, Waterworks; island pendant lights: Everly bell with seeded glass, Kichler; wall paint: Crystal Haze, Dunn-Edwards
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Designer: Kelsey McGregor of Kelsey Leigh Design
Location: Sarasota, Florida
Homeowners’ request. “This house is situated right on the water, so we wanted to make sure it felt in line with looking like a beach home without feeling overly theme-y,” designer Kelsey McGregor says.
Wood cabinets. “We decided to go all rift-sawn white oak cabinetry here,” McGregor says. “Knowing that there was going to be limited upper cabinetry, especially on the focal range wall, we knew it wouldn’t feel too heavy. So we decided to go all wood with the cabinetry, knowing that the white walls would break it up and then it would create interest and warmth in the space.”
Other special features. “We didn’t want to use predictable blues and sea colors as the project’s color palette, but instead chose warm wood tones and the marble backsplash to introduce those ocean colors,” McGregor says. “I love the pairing of warm and cool tones in a space. The warm wood helps warm the cool of the marble and gray countertops and gray bar stools and gives the room a beautiful balance. The island countertop is made to look like cement, which pairs well with the textural bar stools, and the statement marble that was used on the perimeter countertop and backsplash has so much movement in its veining.”
Designer tip. “Get creative with storage,” McGregor says. “We want to make the kitchen cabinetry a little less predictable than just uppers and lowers. I like to eliminate upper cabinetry, and instead opted for counter-to-ceiling-height cabinets here on the range wall, giving it a breathier statement. Other creative storage ideas are adding open storage to the island or adding a marble shelf like the one here flanking the hood.”
Wall paint: Greek Villa, Sherwin-Williams
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Designer: Carlos Nyce of TriVistaUSA Design + Build
Location: Arlington, Virginia
Size: 168 square feet (16 square meters); 11 feet, 8 inches by 14 feet, 5 inches
Homeowners’ request. “The client came to us seeking to improve their home layout, with one of the main goals being to enhance the flow for better entertainment space,” designer Carlos Nyce says. “They desired an open, functional kitchen layout, but the existing space didn’t allow for that. As part of our architectural design proposal, we suggested relocating the kitchen to the opposite side of the house, where more space was available. This change allowed us to reconfigure the kitchen, adding a highly functional island and additional storage. The client’s aesthetic preferences leaned toward clean lines, bright, warm wood tones, with touches of industrial style and a bit of glam.”
Wood cabinets. Natural maple wood cabinets in a matte finish. “They wanted their kitchen to feel bright, warm and cozy, while also introducing some industrial elements for contrast,” Nyce says. “We worked with the concept of using a lighter tone around the perimeter, paired with darker accents on the island, hardware and other details. The house facade featured black-painted brick, and [the homeowners] were keen on incorporating this dark color into the interior details. By integrating natural maple matte wood cabinets along the perimeter with a white brick-look tile backsplash, we achieved the perfect balance of cozy and industrial. The island, painted in Sherwin-Williams Tricorn Black, stands out against the lighter backdrop and provides just the right amount of darkness they were looking for.”
Other special features. Marble-look quartz countertops.
Designer tip. “Balance is key,” Nyce says. “To achieve the perfect look, you first need a clear reference for where you want your design to go. If you’re blending multiple styles, the key is always balance — incorporating textures, colors, materials and elements in the right proportions so the space feels harmonious.”
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