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Though the cabin was gone, it inspired the homeowners and Nelson to keep its modern style alive. The structure’s placement on the site also influenced the plan. There was an existing well and septic system, and upgrading the septic system was included in the project. The architects oriented the house to take advantage of the southwesterly views of the Saratoga Passage and Whidbey Island.
“The site is quite wooded and has a secluded feel,” Nelson says. “The approach to the house is through the trees and it feels totally private.” The site is atop a 60-foot cliff overlooking the water.
Facing the entry side of the house, the primary suite is on the left; a great room that contains the family room, dining room and kitchen is in the center; and two other bedrooms are on the right side. Next to those bedrooms, a mudroom-laundry room connects the house to the garage. The garage roof is covered in solar panels.
This article was originally published by a www.houzz.com . Read the Original article here. .
“I think a lot of interior design seems inaccessible to people, as they associate it with extensive, expensive renovations and bespoke luxury items,” interior designer Becky Wetzler says. “We can do that. But we also love to show clients how we can put their personal stamp on their homes with elements like wallpaper, paint and furnishings and without having to remodel.” That was the case for this Bethesda, Maryland, family of six and the spec house it had recently moved into.
The house had lovely millwork, including coffered ceilings, wainscoting, crown moldings and tall baseboards. The kitchen and bathrooms were up to date and in good shape — remodeling them would have been a waste of money and materials. But the blank slate of a home lacked personality and style that reflected the family’s Southern roots and love of coastal settings. Wetzler and her team listened carefully to the homeowners’ wants and needs. Accordingly, they created a house made for quality family time with coastal-inspired style and hints of Southern preppy flair.
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Through a door next to the fridge, the mudroom flows into a generously sized great room that faces the lake. Like the home’s exterior, the interior has classic cabin elements but with an air of refinement. Caruso picked up where Lands End’s interior designer left off, giving input on interior architecture choices, selecting the furnishings and styling the finished home.
“In our neck of the woods, there are a lot of rustic looks,” Caruso says. “There are a lot of log cabins, there’s a ton of plaid and antlers and all of that, which is lovely. But it was not what we wanted for this. And so any elements that give a little bit of a sense of rustic is really meant more to add vintage vibes [and] patina.”
For example, a reclaimed-wood ceiling spans the main floor, but the paneled walls are painted crisp white. And the palette, which is mostly shades of blue, green and brown, is pared-back and cohesive throughout the home.
Wall paint: Swiss Coffee, Benjamin Moore
This article was originally published by a www.houzz.com . Read the Original article here. .
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.
This article was originally published by a www.houzz.com . Read the Original article here. .
This is the view looking toward the back of the house. The structure is shaped like a T, with two bedrooms on either side of the central corridor. Despite the small square footage, Brown was able to carve out two bedrooms and two bathrooms, plus a small loft reached by ladder that can function as a sleeping or hangout space. In the main living area, which has open but well-defined living, dining, cooking and entry zones, a 12-foot ceiling helps to add a sense of lightness and spaciousness.
For the interior design, Brown brought in Michael Ferzoco of Eleven Interiors, with whom he’d worked before. Both describe the process of creating the home as a true collaboration. “This team of interior designers, landscape architects [and] builders was really a joy to work with, and it all stemmed from these clients because they wanted to understand and hear everyone’s ideas,” Brown says.
Early on, the homeowners had shared with Eleven Interiors their inspiration photos — including some they’d found on Houzz — of spaces that had fairly traditional seaside motifs and colors. But the designers encouraged their clients to think less literally. “In one of the images that they sent to us, there was a beautiful sunset of the actual bay that the house sits on … and we took that as the central cue in developing the color scheme and the concept for the interior,” Ferzoco says. The beach and seagrass outside the windows provided yet more inspiration. The floors and ceiling trusses, for example, are sand-colored whitewashed bleached white oak. The result is a coastal look that’s not too on-the-nose.
This article was originally published by a www.houzz.com . Read the Original article here. .
Cost-effective moves in the kitchen include using ready-made cabinets, natural butcher block countertops and inexpensive backsplash tiles. Lowry continued the same paint color palette, adding in Sherwin-Williams Fawn Brindle for the cabinets, which she painted herself. The artwork and vintage pieces, the high backsplash and the brass hardware elevate the look of the value-engineered kitchen.
“When collecting art and furnishings, I like to keep a story in mind,” Lowry says. For this Hill Country cottage near a lake, creeks and rivers, the story was rustic and romantic.
“I typically lean toward vintage photos, and I looked for vintage lake photos,” Lowry says. “One thing I like to do is buy a digital download online, print it locally and put it in a vintage or ready-made frame. It makes it look custom for an affordable price.”
This article was originally published by a www.houzz.com . Read the Original article here. .
“The site is quite wooded and has a secluded feel,” Nelson says. “The approach to the house is through the trees and it feels totally private.” The site is atop a 60-foot cliff overlooking the water.
Facing the entry side of the house, the primary suite is on the left; a great room that contains the family room, dining room and kitchen is in the center; and two other bedrooms are on the right side. Next to those bedrooms, a mudroom-laundry room connects the house to the garage. The garage roof is covered in solar panels.